备注：已完结
类型：恐怖片
主演：布鲁斯·戴维森 埃尔莎·兰彻斯特 桑德拉·洛克 欧内斯特·博格宁 迈克
导演：丹尼尔·曼
语言：英语
年代：未知
简介：威拉德是一个性格孤僻内向,不善与人沟通的小公司职员,家门外的生活对他来说只能是一团糟.反映迟钝,笨手笨脚,使他成为公司同事们的笑柄.尽管偶尔可以换来女士怜悯的眼光,但老板与同事们的嘲笑和排挤已将威拉德与社会愈推愈远.如此残酷的生活现实令威拉德更为珍惜自己唯一的'朋友'--两只智力过人分别名叫本和苏格拉底的老鼠. 或许几只小小的老鼠在常人眼中看起来只是一件不起眼甚至略带恶心的小事,但这却是威拉德唯一珍爱的寄托.因此,当威拉德挚爱'鼠友'苏格拉底惨死在公司同事的脚下时,痛失爱鼠心如刀割的威拉德与苏格拉底的遗孀本,便下定决心率领鼠军想平日的仇人发动一场终极审判.这一队无孔不入的复仇大军既有指挥又有决心,不但猫儿见到只能退避三舍,即使人类也同样只有束手无策.誓言血债血还,死窄死来还的威拉德鼠军,就次掀起了一场场腥风血雨. Michael Jackson于1963五岁时,在幼稚园中首次演唱Climb Every Mountain,随后在父母有心的促成下与四位兄长Jackie. Tito.Jermaine及Marlon共组了乐团,并在接下来的几年,随着年龄的增长,益发不断地展现出表演的技巧,褪去组团初期的稚嫩,无形中脱颖成为团中的灵魂人物.1969经由市长的赏识,引荐给Diana Ross,得以结实Motown的老板Berry Gordy,并且签约,随即全家迁居Los Angelous,同年年底首支单曲I want you back登上排行榜榜首,接连发行了ABC,The Love You Save,I'll be there等热门单曲.1972 Ben专集发行,(Ben)单曲成为冠军单曲. 来听听这首歌吧!!!!~~~~~~~
备注：已完结
类型：恐怖片
主演：莎拉·保罗森 基拉·艾伦 帕特·希利 埃里克·阿塔瓦尔 布拉德利·索茨
导演：阿尼什·查甘蒂
语言：英语
年代：未知
简介：克洛伊（基拉·艾伦 Kiera Allen 饰）从一出生起就和母亲（莎拉·保罗森 Sarah Paulson 饰）过着相依为命的生活，在她们的世界里，父亲这一角色是从未存在过，也不可提及的。因为早产，克洛伊的健康面临着非常严重的打击，时时刻刻都在遭受着死亡的威胁，可即便如此，母亲也从未放弃过克洛伊，她凭借着自己坚强的力量将克洛伊抚养长大。 克洛伊体弱多病，半身不遂只能依靠轮椅行动，母亲是她和外界唯一的联系，在母亲的帮助之下，克洛伊靠着自学参加了大学的入学考试，正在焦急的等待着考试结果的公布。某日，克洛伊对自己每天都要服用的药物产生了怀疑，通过种种调查，她震惊的发现这些药物正是导致自己无法行走的元凶。
备注：已完结
类型：恐怖片
主演：马克斯·冯·叙多夫 丽芙·乌曼 特瑞沃·霍华德 帕尔·奥斯卡森
导演：拉斯洛·拜奈代克
语言：英语
年代：未知
简介：A man named Salem escapes from an insane asylum where he was confined for an axe-murder. Falsely convicted under a plea of guilty due to insanity, he does not plan to let his sister and her husband forget that they were responsible for the murder of a farmhand and for his cruel imprisonment in the asylum.
备注：已完结
类型：恐怖片
语言：英语
年代：未知
简介：Simon and Kit, two young leaders of an Active Senior tour group, out on an adventure to a small-town rodeo festival located deep in the woods. It’s a great experience for the group… until they try to leave.
备注：已完结
类型：剧情片
主演：萨姆·沃辛顿 奥克塔维亚·斯宾瑟 蒂姆·麦格罗 拉达·米切尔 梅根·查
导演：斯图尔特·哈泽尔丁
语言：英语
年代：未知
简介：After the abduction and assumed death of Mackenzie Allen Phillip's youngest daughter, Missy, Mack receives a letter and has the suspicion it's from God asking him to return to The Shack where Missy may have been murdered. After contemplating it, he leaves his home to go to The Shack for the first time since Missy's accident and encounters what will change his life forever.
备注：已完结
类型：喜剧片
主演：达尼埃尔·达里约 凯瑟琳·德纳芙 伊莎贝尔·于佩尔 芬妮·阿尔丹 艾曼
导演：弗朗索瓦·欧容
语言：法语
年代：未知
简介：圣诞节前夕，一个富裕人家正在忙着筹备圣诞。窗外白雪皑皑，屋里迎来了女儿大学归来。一家人沉浸在圣诞前团聚的气氛。 此时，大家以为作为一家之主的父亲还没有睡醒，谁知打开房门一开，他竟死在了睡床上，背后插着一把刀。众人惊慌失措，想报警之时却发现电话线早以被剪断；车已被蓄意破坏，无法开到警局。明显地，凶手就在这8人中间。彼此的猜忌和指控开始了，各人不为人知的秘密一一曝光，伦理道德的颠覆，贪婪自私的本性，令这个圣诞前夕特别混乱。讽刺的是，最后谁是凶手已经不重要了……
备注：已完结
类型：剧情片
主演：依莱姆·克里莫夫
导演：依莱姆·克里莫夫
语言：其它
年代：未知
简介：A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
